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Interview: Jim McCoin – Metal Sculptor

Jim McCoin Harley Davidson Sidecar
“This mid-teens Harley with sidecar is like the kind used by John Pershing and the 8th cavalry against Pancho Villa in the Southwest,” says Jim, who’s a bit of a history buff. The bike is approx 12″ long.

It’s not often that we find automotive art that commands a second or third look. Jim McCoin’s metal sculpture not only captured our attention, it made us lean forward and study in total appreciation. Our curiosity about his motorcycle sculptures led to questions that Jim politely answered. Read on for insight about how his craft evolved into what you see today.

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Big Sid Listens to His Engines

Big Sid Biberman has been tuning motorcycle engines for well over 50 years. He has a deep knowledge of Vincent bikes, an interest that began in 1950. He would own a Rapide in 1951 and tour the Vincent factory in 1953. Later, he’d develop a friendship with Phil Irving, Vincent’s chief engineer and designer of the Black Shadow.

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The Early Days of Motorcycle Messengers

As soon as combustion engines began coughing their way past skeptics and in to the minds of early adopters, the ‘delivery’ industry made a giant leap in efficiency. In the very early 1900s, motorcycles quickly replaced many bicycles, horses and feet as a faster means of delivering information. 

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